Voice: Who should tell your story?

A writer’s choice of voice for a story or novel is one of the most important decisions he or she will make. Voice can be equally important in nonfiction. I will be speaking about voice at the upcoming meeting of The Canadian Authors Association – Metro Vancouver (including Victoria) on January 9, 2018.

I saw the documentary film They Shall Not Grow Old just after Christmas. Director Peter Jackson produced this powerful film about the Great War based on 100 hours of historical film footage and 600 hours of audio recordings from the British War Museum.

His team enhanced hundreds of hours of film by sharpening images and adding colour. The motion is less jerky and more natural than in the original clips.

The original footage also predated movie sound but Jackson could see the soldiers’ lips moving, so he tasked expert lip readers with interpreting their words. The experts determined the correct dialogue – with appropriate accents – and this was incorporated into the film.

Jackson also wrestled with how to do justice to the men who had served and lost lives in the war. He decided the story could only be told by using the men’s own words from the audio tapes and then superimposing these over the footage. The result is an authentic and heart wrenching trip into the trenches and battle zones of WWI.

I reached a similar conclusion about voice four years prior when writing my nonfiction book Sun Dogs and Yellowcake. I determined that former residents of the uranium town where I grew up, must tell their stories in their own words. In this way, life in a mining town in the 1950s and ’60s and the personalities of its residents would be more authentically portrayed.

To hear more about voice and my choice in Sun Dogs, you are welcome to attend the upcoming meeting of Canadian Authors Association – Metro Vancouver (including Victoria) on January 9, 2018. For information about the presentation, please click here.


 I recommend that everyone see They Shall Not Grow Old.  To watch the trailer  click here. 

To see more information about Sun Dogs and Yellowcake, click here.

Reflections on publishing Sun Dogs and Yellowcake

The headframe reminds us of Gunnar. Publishing Sun Dogs and Yellowcake brings the town back to life.
The Gunnar Mines headframe stood for more than 50 years after the mine closed, beckoning to all who passed by.

I have been reflecting on the two years that have passed since publishing Sun Dogs and Yellowcake – two years today.

Publishing your first book is an incredible joy. What you don’t realize when that moment arrives is that a book has a much larger life than what it contains within its pages.

Here is what Sun Dogs and Yellowcake has delivered for me.

History
  1. Re-connection to a ‘time and place’ and to the people who resided in Gunnar. People who had lost contact with their friends for more than fifty years have rekindled their friendships and memories. I have had the joy of reuniting with old friends and making many new ones.
  2. Preservation of the history of the small northern town of Gunnar Mines and honouring a former way of life. Its history was told best through the words of its inhabitants. And people with no connection to the area have shared and appreciated this history because of what it reveals about who we are as Canadians.
  3. Recognition of the significance of mining, an industry that helped form this country. Mining, including the production of uranium, continues to be a key part of Canada’s growth.
Story-telling
  1. Realization that the Canadian mining industry has a treasure chest of fabulous tales that unfortunately are being lost to time. I recall a dinner following the closing of a financing. The president and chief executive officer regaled us with adventures from a lifetime in mining. This was only a small sampling of stories that will likely never be told.
  2. Celebration of the small stories that together chronicle our lives. A narrative that shows where we have come from so we understand where we are.
Publishing Surprises

I did not have many expectations for this book about a little town in the middle of nowhere, in a time no one remembers. I initially thought it would appeal only to its former residents. It has surprised everyone. It has won awards, received significant publicity, and been appreciated by a broad audience.

What a journey!

The headframe in the photo above marked Gunnar’s existence and its passing. I like to think publishing Sun Dogs and Yellowcake has brought not just the town, which closed its doors in 1964, back to life, but also the era. For me personally, publishing has opened up a new world, for which I am very grateful.

The stories continue to roll in. Tomorrow,  a man who lived in the neighbouring community of Uranium City shares his adventures.